Piccolo
Selected Studies for Flute, H. Voxman, Rubank/Hal Leonard. Play page 38, Ab Major etude, first six lines
plus two measures to the quarter rest, students should play measures 11 and 12 up an octave to avoid the
range problem with the low Db and C; page 40, Gigue, the first five lines (no repeat).
Flute
Suite in A-Minor, Telemann, published by International Music Co. (2260). Play No. 3 "Air a I'Italien" movement, but no da Capo.
Correction to Flute excerpt (posted 9/1/2010)
Measure 16 should use the same rhythm on count one and two as the rhythm in measure 15. The flute rhythm in the piano part is correct for measure 16.
Measure 16 should use the same rhythm on count one and two as the rhythm in measure 15. The flute rhythm in the piano part is correct for measure 16.
Oboe
Concerto in C for Oboe and Orchestra, attributed to Haydn, edited by Rothwell, published by Oxford
University Press (3642131). First movement: page 1, begin at letter D (2nd line) and end on quarter
note C (end of line 6). Page 5, play all of the Cadenza. Second movement: page 6, play from the
beginning to the end of the 4th line.
Bassoon
Concertpiece, Op. 35, Gabriel Pierné, edited by Schubert-Garfield, published by
International Music Co. (1617) Play from the beginning to letter C; letter F to
letter H; and letter O to the end.
B-Flat Soprano Clarinet
Concerto No. 2 in E-Flat Major, Op. 74, Carl Maria von Weber, published by Carl Fischer (CU-752).
Romance movement: begin after C at Recit. with note E on fermata (Lento) prior to Maestoso and play
to the end of movement. Polacca movement: play beginning to ten measures rest, and page 10 (in newer
editions page 11), begin playing six measures before M and play to the end of the piece.
B-flat Bass Clarinet
E-flat and B-flat Contra Bass Clarinet
Adagio and Allegro, Johann Ernest Galliard, arr. by Lyle Merriman, published by Southern Music Co.
(SS-686).
I: Adagio from Sonata No. 3, begin at A and play to the end of the movement.
II: Allegro from Sonata No. V, play from the beginning to D.
E-flat and B-flat Contra Bass Clarinet
Saxophones (Alto, Tenor, Baritone)
27 Virtuoso Studies by Bassi, transcribed for Oboe and Sax by Gerardo Iasilli, published by Carl
Fischer (O-61). #1, page 4: play 3rd line from the top to the end. #14: play first three lines.
B-flat Cornet and Trumpet
Prelude Et Ballade, by Balay, published by Belwin Mills (BWI-69). Play from line 5, last
measure (Expressi) to the end of the first page. Skip to Allegro Moderato section: play all
of page 2 and end after the first measure on page 3 (11 measures of rest).
French Horn
Morceau De Concert, Saint-Saëns, published by Warner Bros. (TS-0002). Play #1 to #2; play #3 to #4; (CHANGE)
play from fifth measure after #11 to end (no trill on the D).
Trombone and Euphonium
Morceau Symphonique, Alexander Guilmant, ed. Falaguerra, published by Warner Bros. (TS-0046)
Play beginning to 4th measure of 3rd line. Play last three lines of page 1. (CHANGE) Play from
the beginning of edited 5/13/2010
Tuba
Air and Bourée, by Bach, arr. by William Bell, published by Carl Fischer. (W-1647) Play all of the Air.
Bourée: Play from the beginning through the half note 1 measure before #4.
Percussionists may audition in one or more areas, but a separate form and payment must be submitted for each audition area.
Mallets
Masterpieces for Marimba, arr. by Thomas McMillan, Pro Art Publications (1202). Play page 6: Sonatina by
Telemann. ($10.00 plus separate audition form per each applicant).
Timpani
Solo Timpanist, Vic Firth, published by Carl Fischer, play page 4-5, Etude #1,
Entire etude. Quarter note = 116-120. ($10.00 plus separate audition form per each applicant).
Snare Drum
Portraits in Rhythm, Anthony J. Cirone, 50 Studies for Snare Drum, Belwin Mills, (HAB-00101):
Play all of #3 (rolls are closed). ($10.00 plus separate audition form per each applicant).